Category Archives: Movie Reviews

‘Synecdoche’ a complex drama

Writing a newspaper-length plot synopsis for “Synecdoche, New York” is akin to explaining a complicated scientific principle in 100 words. Whatever is written will miss an important detail, overlook a plot point or simply come across as vague.

To be understood, “Synecdoche” must be watched. That’s because writer Charlie Kaufman (“Adaptation,” “Eternal Sunshine of the Spotless Mind”) never does anything simply, and with his directorial debut he’s gone deeper than usual.

Click here for full review: http://www.rgj.com/article/20081121/ENT01/811210475/1056/ENT

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Ask Forrest: Do others influence you?

Question: Sometimes, you are the dissenting voice on a picture, either one of the few critics who likes a universally panned movie or one of the few who hates a critical favorite. Does it bother you to be on the “wrong” side of the masses?

Answer: In a word, “No.”

Click here for full story: http://www.rgj.com/article/20081114/COL14/811140411/1117/ENT01

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‘Ashes’ didn’t need a redux

There are many sorts of bad movies but the pretentious ones are the worst. Take “Ashes of Time Redux.” If it were merely a bad martial arts drama, we could enjoy the fight sequences as we laughed at the overblown plot points. But “Ashes of Time” is so convinced of its own importance that the fight scenes are minimal, leaving viewers to slog through long-winded narratives packed with mediocre philosophy.

Click here for full review: http://www.rgj.com/article/20081114/ENT01/811140413/1057

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‘Rachel Getting Married’ is a mixed bag

With pictures like “Brokeback Mountain,” “The Devil Wears Prada” and “Becoming Jane” under her belt, moviegoers should already be taking Anne Hathaway seriously. In case they aren’t, she’s delivering “Rachel Getting Married,” a bleak, unflinching affair far removed from her fanciful “Princess Diaries” flicks.

Click here for full review: http://www.rgj.com/article/20081107/ENT01/811070480/1057

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‘Role Models’ has heart

From left to right, Christopher Mintz-Plasse, Paul Rudd, Seann William Scott and Bobb'e J. Thompson in "Role Models."

From left to right, Christopher Mintz-Plasse, Paul Rudd, Seann William Scott and Bobb'e J. Thompson in "Role Models."

It’s not fair, but there will always be part of me that sees Seann William Scott as Steve Stifler from “American Pie,” and as much as actors hate being pigeonholed, that’s a compliment.

Scott was so obnoxious and memorable as the oversexed Stifler that he created one of THE great characters in the sex comedy genre. Stifler is so funny, in fact, that one can’t help but look for a glimpse of the character in every Scott role. And, in “Role Models,” Scott obliges.

Click here for full review: http://www.rgj.com/article/20081107/ENT01/811070482/1056/ENT

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‘Zack and Miri’ is dirty, funny

Leave it to writer-director Kevin Smith to deliver a romantic comedy that buries the genre’s typical trappings in a homage to the pornographic movie industry. And leave it to Smith to make that film funny.

Click here for full review: http://www.rgj.com/article/20081031/ENT01/810310503/1056/ENThttp://www.rgj.com/article/20081031/ENT01/810310503/1056/ENT

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Eastwood’s ‘Changeling’ is fantastic

The events depicted in “Changeling” are so bizarre and disturbing that it’s

Angelina Jolie discovers she's being given the wrong boy in "Changeling."

Angelina Jolie discovers she's being given the wrong boy in "Changeling."

difficult to accept that they’re based in fact. Yet that’s the case.

The movie is a slightly fictionalized look at events surrounding the Wineville Chicken Coop Murders, which occurred in Wineville, Calif. (now Mira Loma) during the late 1920s and early 1930s, and it is as extraordinary as it is gloomy.

The focus is on Christine Collins (Angelina Jolie), a single mother doing her best to raise her young son, Walter, while working full time in Los Angeles. One day, when called into work, she allows Walter to stay home alone, and the moment changes her life.

Click here for full review: http://www.rgj.com/article/20081031/ENT01/810310504/1056/ENT

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‘Pride & Glory’ fails in the end

We’ve reached the point in cinema history where so many police dramas have graced the screen that it’s rare — nay, shocking — to find one that truly is inventive. Therefore, most moviegoers are willing to look beyond rehashed plots and archetypal characters so long as the presentation is good.

This fact took a lot of pressure off of “Pride and Glory,” a cop drama that needed to be little more than believable and entertaining to be considered a success. Alas, even simple goals can present vast challenges.

Click here for full review: http://www.rgj.com/article/20081024/ENT01/810240474/1056/ENT

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‘W.’ should be impeached

The one thing you wouldn’t expect from director Oliver Stone is a milquetoast movie about President George

Richard Dreyfuss, left, and Josh Brolin in "W."

Richard Dreyfuss, left, and Josh Brolin star in "W."

W. Bush. Love him or hate him, Bush has held America’s top post through some of our most trying times, and most everyone has a strong opinion on his job performance. Most everyone, it seems, except Stone.

“W.” is a bad movie for many reasons but the most noteworthy is its lack of a valuable viewpoint. Rather than take a brave and unusual stance on our president’s life, Stone and company are content to recycle common stereotypes. The Bush (Josh Brolin) in “W.” is a highly religious, moderately inane man who has daddy issues and difficulty speaking in public. In other words, it’s the same George W. Bush that critics have presented for the past eight years.

Click here for full review: http://www.rgj.com/article/20081017/ENT/310170002/1056

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‘Max Payne’ a solid videogame movie

As videogame movies go, “Max Payne” is surprisingly well plotted and atmospheric.

Mark Wahlberg and Mila Kunis star in "Max Payne." Photo courtesy of 20th Century Fox.

Mark Wahlberg and Mila Kunis in "Max Payne."

The problem with most game-based films, it seems, is simplicity. Because games generally spend more time on graphics and playability than storytelling, it takes a particularly good screenwriter to bridge the gap between the two. So, hats off to writer Beau Thorne, who took the game’s plotting, tweaked it considerably and delivered a storyline that is both coherent and engaging.

Click here for full review: http://www.rgj.com/article/20081017/ENT/310170001/1056/ENT

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