Tag Archives: Movie Reviews
This morning, Gary Freeman and I talked about the film “Race” on KGAB-AM in Cheyenne, WY. The whole dialogue is now available on SoundCloud.
Forrest reviews the Jesse Owens biopic “Race.”
A WALK IN THE WOODS
Critical rating: 3 stars out of four
Directed by: Ken Kwapis (“Big Miracle,” “The Sisterhood of the Travelling Pants”)
Starring: Robert Redford and Nick Nolte
Rated: R for language and some sexual references
The story: Screen adaptation of writer Bill Bryson’s bestselling, 1998 memoir, “A Walk in the Woods: Rediscovering America on the Appalachian Trail.” The film, like the book, focuses on Bryson’s attempt to walk the 2,200-mile trail with his friend Stephen Katz.
The scoop: A comedy for mature audiences that value strong acting and subtle humor over car crashes and a barrage of crass gags. “A Walk in the Woods” is consistently funny, but it’s also a reminder that older folks needn’t act as though their best days are behind them. The movie is a likable mix of comedy and drama made better by the wonderful performances of Nolte and Redford. Like a hiker on a long journey, director Ken Kwapis takes an easygoing pace, covering a lot of territory but taking time to breathe and enjoy the scenery.
Critical rating: 2½ stars out of four
Directed by: Nima Nourizadeh (“Project X”)
Starring: Jesse Eisenberg, Kristen Stewart, Topher Grace, Connie Britton, Walton Goggins, John Leguizamo and Bill Pullman
Rated: R for strong bloody violence, language throughout, drug use and some sexual content
The story: “American Ultra” is an entertaining action-comedy about a youthful slacker (Jesse Eisenberg) who easily dispatches two assassins that attempt to kill him, leading to the realization that he is really a former CIA agent who had his mind wiped. His loyal girlfriend (Kristen Stewart) is along for the ride.
The scoop: There are funny moments, and director Nima Nourizadeh mixes them with sequences of brutally graphic violence. Viewers will have a good time if they can look beyond the glaring plot problems and focus on the solid performances and Nourizadeh’s emphasis of style over substance. Those who demand more from their filmmakers will see “American Ultra” for what it is: a lightweight Tarantino clone.